Start with a sensible range, inspect the right details, and avoid treating one quality number as universal.
Quality is an encoder instruction
A quality slider tells an encoder how aggressively to trade detail for size. It is not a percentage of original quality, and the same number can produce different results in different encoders or browsers.
A starting value around the low eighties can be practical for photographic material, but it is only a starting point. The correct setting is the lowest value that remains visually acceptable for the actual destination.
Inspect the vulnerable parts
Do not judge only from a zoomed-out thumbnail. Look at edges, faces, hair, text, gradients, high-frequency texture, and areas near transparent boundaries. Those regions often reveal compression damage first.
- Compare at the intended display size
- Check 100% zoom for ringing and block artifacts
- Inspect alpha edges against light and dark backgrounds
- Confirm dimensions before blaming the encoder
- Keep the source open for a true side-by-side comparison
Resize before chasing quality
An image that is much larger than its display slot wastes bytes regardless of quality. Reducing dimensions to an appropriate maximum can deliver a larger saving than lowering quality aggressively.
Resize from the best available source, then encode once. Repeatedly resizing and re-encoding an already compressed file compounds loss.
Smaller is not always better
A compressor can produce an output larger than the input when the source was already efficiently encoded or when the chosen setting is high. A trustworthy result view should show both sizes and let you decline the new file.
Metadata removal can also account for part of a size reduction. That may be desirable for privacy, but it is not the same as more efficient pixel compression.
A repeatable workflow
Choose the destination dimensions, encode at a moderate quality, compare the visual result, then step down gradually until artifacts become visible. Move back one step and keep that result. Record the setting only as a project-specific convention—not a universal rule.